101 Reservoir Road · Hillsborough · 1940
Where it started: a house he had to be evicted from.
Frank Lloyd Wright designed it for a bank vice president. Joseph Eichler rented it during the war, loved it, and left only when the next owners served him notice. Everything he built afterwards traces back to it.
Commissioned April 1939
Wright’s Usonian ideal
1943 to 1945
The house
A Usonian on a hexagon.
Sidney Bazett-Jones, a Bank of America vice president, and Louise Reno Bazett commissioned the house from Frank Lloyd Wright in April 1939. Their brief asked for one storey, a master bedroom opening to a porch, no separate dining room, easy access outdoors and shelter for two cars. It was built in 1940, to a $7,000 budget.
It is a Usonian — Wright’s term for the modest, buildable houses he believed ordinary Americans should have — and it is laid out on a hexagonal module at sixty-degree angles, like his Hanna House. The red concrete floors are scored in hexagons. There is brick, a flat roof with deep overhangs, built-in benches and bookcases, and radiant heat under the floor.
The tenancy
“He had to be evicted from it.”
Eichler rented the Bazett House from early 1943 to 1945, with his wife and their two sons. In April 1945 Betty and Louis Frank bought it and served him a ninety-day notice. The Pacific Coast Architecture Database puts it plainly: Eichler “liked the house so much that he had to be evicted from it by its next owners.”
The Franks kept it for fifty-five years. As of 2025 it belongs to their son, Laurence Frank. It is a private residence.
What he took from it
Radiant heat, built-ins, and glass to the garden.
Eichler credited the house with turning him into a builder. What he carried from it is visible in everything that followed: rooms that open to the garden rather than the street, a small galley kitchen, radiant heat, built-in furniture, redwood and brick with a glass wall to the rear. Every one of those turns up at 19 Irving, and a version of most of them turns up in eleven thousand tract houses.
The geometry
From hexagon to parallelogram.
The sources disagree on detail, so we will be exact about what they support. One Eichler Network article says the Atherton house was “based in part on the plan of the Bazett house.” A more detailed one says Anshen & Allen’s first scheme for Eichler dropped the V-plan and the hexagon, and that the revamped Lindenwood plan restored the V.
What both support is this: the built house keeps the Bazett’s V and its discipline of the angled module, but expresses it in parallelograms rather than hexagons.
A note on quotes
What we will not print.
You will find Eichler quoted, in many places online, on what the Bazett House taught him. We could not find a single one of those sentences in a primary source. Every account we could check paraphrases him. So this page does too. If you hold a letter, an interview or a recording in which he says it himself, we would very much like to see it.
Questions we get asked
The ones that come up.
- Can I visit the Bazett House?
- No. It is a private residence and has been in the same family since 1945.
- Is the Bazett House an Eichler?
- No. It is a Frank Lloyd Wright house, built for the Bazetts in 1940. Eichler was a tenant.
What we can do for you
Things worth asking us for.
Help us finish the record
If you hold something from 1951 to 1960, we would like to see it.
The 1953 Lindenwood brochure, a plan leaflet, a construction photograph, a letter from Eichler Homes — the documentary record for Atherton is thin, and a scan of what is in your drawer makes it better for every owner in town. We will credit you, or not, exactly as you prefer.
Talk to us
Atherton, specifically.
The line from this house to 19 Irving is the most documented thing about Atherton’s Eichlers. If you are researching either, we are glad to share what we have.
Where to go next
Read these three.
The rest of the story